Tomb of the Ghast Queen

Tomb of the Ghast Queen is a 0-level funnel adventure by Mark Knights. Art is by Mark Knights (cartography). The publisher is RPG Knights.

This adventure was originally written as a free adventure for 1st level 5th Edition Dungeons & Dragons characters, which was then turned into a Dungeon Crawl Classics funnel adventure. The author discusses this on his blog. Because both versions of the adventure are free, this is a good opportunity for prospective judges interested in converting materials to DCC to see how another judge approached it.

This is a fairly good adventure, but it is not polished, and the judge is advised to tweak it to their preferences. Some Wizards of the Coast era "D&Disms" remain that I recommend weeding out - the adventure does not need minotaurs to perform a menial task that strong humans might do, for instance. 

If I were running this, I would strongly consider creating some alternative exits to the dungeon, to account for the needs of the living creatures found therein. I would also add some material related to these additional exits that are caused by the outside world coming in. I think that would make the environment more dynamic for the players, and give them more to explore. There are also a number of places where I would replace references to the core rulebook with actual stats or spell effects. That would at least make it easier to run at the table!

Also, consider altering starting equipment based on the PCs being prisoners working in a quarry before the adventure starts. No one is likely to have a cow or a pony, or armor or a real weapon, no matter what their occupation is. Whether or not they should even have normal starting funds (5d12 cp) is questionable. On the other hand, it would not be unreasonably for every PC to have either a mining pick or a sledgehammer.

Even with these caveats, though, it is a free adventure, and worth taking a look at!

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Tomb of Curses

Tomb of Curses is a 6th to 8th level adventure written by Paul Wolfe (from a concept by/and Sean Conners, depending upon the credits. Art is by David Fisher (including cover and cartography) and Scott Ackerman (including cartography). The publisher is Dragons Hoard Publishing.

Disclosure: I have an editing credit on this product.

This adventure was written as a perk for the Indigogo campaign that brought about the original run of Angels, Daemons, and Beings Between, which I have written about that elsewhere.

This adventure is a sort of funhouse ride that combines the lethality of The Tomb of  Horrors with the gonzo ethos of Dungeon Crawl Classics. At the time it came out, I believe it was the highest level DCC module in existence. It is certainly deadly, and fun. Although the adventure start is more than just kind of railroad-y, a clever judge can easily alter this so that the PCs are the cause of their own pain. As a cold start for a one-shot adventure, though, the current start is more than adequate.

If you read the review at Die Hard Game Fan, you might think that the background is problematic. I tend to think of it as being more like the work of Michael Moorcock. No matter how much you think you know about how the multiverse works, it turns out you're wrong. I would also like to direct you to the review of Megan R, who is a Featured Reviewer at DriveThru RPG: "The actual Tomb itself is mapped out and described well. It is very much a 'puzzle dungeon' - if you or your players do not care for such things, find something else. Most of the puzzles are pretty deadly and clues to solve them are limited (I'm finding many hard to figure out even with the book in front of me...), you may wish to add clues or allow the players to roll for hints. Plentiful use is made of random tables and teleport spells, it can all get quite confusing... but played in the right spirit, this has the potential to be a blast, a fun adventure (provided you are not too attached to your character)."

Overall, I really like this adventure. Yes, it is gonzo. Yes, it is deadly. But it is also survivable by clever PCs who think before they act. It is worth playing, but you can always use it as a one-shot adventure if you imagine your players might be unhappy with the effects on their PCs (which may include sudden and irrevocable death). In the inevitable comparison to The Tomb of Horrors, I would say that The Tomb of Curses offers less of a slog, greater player agency, and more fun. I think that this is partly because the two adventures use different systems, and partly because adventure design has changed over time. Be warned that your mileage may vary!

The adventure includes patron write-ups for the Three Sisters and Agars, the Petty Demon. Both are effectively demi-patrons, in the Agars is not strong enough to grant patron spells, and the Three Sisters can only interact as though "When Cast on Other" column using the patron bond spell. On the plus side, the module includes a permission to use these patrons in other products, reproducing the text from the Angels, Daemons, and Being Between tome.

Hell hath no fury like an ex-wife scorned, and Uth'Pentar has eight of them.

For some, even death cannot trump the need for revenge. Prey to a vicious curse, the party must walk a careful path  through an other-dimensional tomb to win their freedom. Can they survive the centuries-long, multiverse-spanning vendetta of Uth'Pentar's wives long enough to escape?

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Tinmen

Tinmen is a race-class written by Ville Rahkila. Art is not credited. The publisher is Knights of the North.

The tinmen are an idea familiar with anyone who has seen or read The Wizard of Oz....or even the much darker Return to Oz. It is a metal man, an automaton which doesn't suffer the pangs of flesh. In this case, it is an automaton that has the ability to repair items (including itself) and to spend money on parts to improve itself.

Tinmen is not the first (or only) product to contain variations on this theme. All are a little different, though, and using one version should not preclude using others. There is also an explicit nod to the original Tin Man (Nick Chopper) in Creeping Beauties of the Wood, so if PCs obtain his cursed axe, the judge could easily use this class to model the soon-to-be-metal PC's advancement.

It should also be noted that this race-class would easily fit into a post-Apocalyptic milieu, be it Umerica or Mutant Crawl Classics. 

In addition to the race-class, there is a bare-bones character sheet designed to go with it.

It was just a jumble of tubes and screws and metal plates. But the group decided to fuel it with the blood of their dead and take it with them. And thus, I had to write the following rules for the rickety race of tinmen. They are a weird bunch but should provide some tank-y power in combat and some useful utility skills for the group.

Have fun!

It's free!

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Through the Dragonwall

DCC #92: Through the Dragonwall is a 3rd level adventure by Daniel J. Bishop. Art is by Clyde Caldwell (cover), SS Crompton (cartography), Doug Kovacs, Peter Mullen, and Stefan Poag. The publisher is Goodman Games.

Disclosure: I am the author. Two of my children were playtesters.

So imagine this as background: I was asked to do conversions of two Harley Stroh modules from the 4e era. There were the "Master Dungeon" series of Dragora's Dungeon and The Curse of the Kingspire. Then imagine being told that there was a third TSR-era legend Clyde Caldwell cover licensed, and I was being asked to write an adventure to utilize it.

The first two conversions were published as ".5" modules between the regular numbers, so I expected (erroneously, as it turned out) that this adventure would be given the same treatment. I also wanted the "Caldwell Cover" series to be unified in some way. We already had levels 1 and 2 covered, so it made sense to make this a 3rd level adventure. The previous adventures had included ape-men, a dragon god, and ancient elven ancestors with a stronger connection to Elfland. This last was a byproduct of the adventure's 4e origin, but I had kept the idea as the "Elder Kith" in that adventure. It was changed to "Elder Kindred" here to avoid confusion with the Kith of Peril on the Purple Planet. There is definitely no "adventure path" between the three adventures, but there are links for the canny judge to exploit.

The adventure also hearkens back to the works of Abraham Merritt, perhaps one of the less-referenced Appendix N authors. For those who know the works of Abraham Merritt, there are specific references made to The Face in the Abyss, Through The Dragon Glass, and The Women of the Wood. The entire set-up of the adventure, with a thwarted love affair, a setting divided into two distinct regions, and the intervention of powerful forces, echoes The Ship of Ishtar. You will find other references if you look hard enough!

The adventure also had to match the cover. The images on the cover are an elven woman, a bone dragon, and part of a wall. You will find all of these elements in the adventure. Through the Dragonwall is not the first DCC adventure to feature a dragon. That honor belongs to The Tainted Forest Near Thorum by Yves Larochelle in Crawl! #4. It is not even the first Goodman Games adventure to use a dragon, as both previous "Caldwell Cover" modules had done so. Even so, the Bone Dragon holds a special place in my heart, both because of his potency as a foe and because of the poignancy of his backstory. You can run this in a four-hour convention slot; it benefits from being given more time to allow the players to truly understand how the Valley of Two Lands works, and the history of its occupants.

This adventure was featured on the Sanctum Secorum podcast Episode 27, where it was paired with The King of Elfland's Daughter. I feel that this was just good luck on my part, because if Michael Curtis had already written The Queen of Elfland's Son, that would have been the obvious pairing. You can also find a review of the adventure here.

If you find yourself drawn to discover more DCC goodness inspired by A. Merritt, I advise you to check out Moon-Slaves of the Cannibal Kingdom by Edgar Johnson, the Sanctum Secorum Episode #29 Companion: Creep, Shadow!, and the patron write-up for Logos, the Perfect Form, from Angels, Daemons, & Beings Between: Extended, Otherworldly Edition. 

Embroiled in a curse from the dawn of history, you have become pawns in a cosmic struggle between the King of Elfland and the ancient dragon-god, Baphotet Kor. Will you stand with the last Empress? Will you face the dreaded Bone Dragon? Or will your bones lie bleached beneath an unchanging sky? This adventure is a test of player skill that will push characters to the edge and beyond…Beyond the Dragonwall.

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Through the Cotillion of Hours

AL3: Through the Cotillion of Hours is an adventure for all levels by Daniel J. Bishop. Art is by Scott Ackerman (including cover) and Kristian Richards (cartography). The publisher is Purple Duck Games.

Disclosure: I am the author.

This adventure takes place in a dreamscape, and is my second piece of published writing for Dungeon Crawl Classics. Like Bone Hoard of the Dancing Horror and the later Stars in the Darkness, this adventure used pre-existing cartography to suggest a new adventure. In this case, the original adventure was also converted to DCC, and can be found here.

This adventure is unusual in that it doesn't need to be solved in a single sitting. In fact, it is better if it is not, and if the judge allows significant in-game (and real) time pass between sessions. It acts as an extended riddle, with some potentially dangerous combats. A large party will make time in the dreamscape pass more swiftly, as each player triggers separate chimes. A single player, or a two-player team, if clever, can solve the adventure in a single session. I have had one player go so far as to solve it within a single hour!

If Quest For It is the beating heart of Dungeon Crawl Classics (and I maintain that it is), the judge needs to provide adventures that can answer questions, prompt the PCs toward resolving their goals, or that can even grant them outright. This adventure is specifically designed to do just that, and the PCs do not need to solve the adventure to benefit. There is a built in method of using the adventure just to ask questions, and some players may intentionally choose not to reach the end just so they have another chance to dip into that well of knowledge!

The title of the adventure comes from the first line of a poem I wrote, Far Dance Thrilling, which is among the first pieces of poetry I had published (in the now-defunct Pandora's Box). Although I did include the classical reference to the Gates of Ivory and Horn, there are a number of Appendix N nods to be found within the adventure. Most prominent are allusions to the Dream Cycle of H.P. Lovecraft, but astute readers will note nods to Michael Moorcock, Andre Norton, and even Fletcher Pratt. There is also a tie-in to my later adventure The Weird Worm-Ways of Saturn.

If you have any players who are as enthused about role-playing as they are about combat, this can be a fantastic adventure. Players have a chance to talk to dream analogues of themselves (which they may eventually figure out), as well as the 0-level PCs they lost in the funnel, now manifesting as dream ghouls picking at the remnants of a feast. 

You can read reviews of the adventure by Other Selves, the Iron Tavern, Tenkar's Tavern, Endzeitgeist, and Ten Foot Pole. Megan R. (a Featured Reviewer at DriveThru RPG) said "This is an adventure like no other, one that if done properly will live in your group's collective memory for years to come....This is an original idea well-presented." Her complete review can be found here.

Invoke patron results for Somnos, the Dreaming God, are also provided, although a full patron write-up is not.

Sooner or later, characters are going to want to quest to achieve some specific end – to raise a fallen comrade, to regain lost ability points, to discover a new spell, to find some new magic item…the possibilities are nearly endless. This scenario can occur at any time during the course of overland travel, and gives characters the opportunity to meet some of these goals.

In this adventure, sleeping characters are invited to the Cotillion of Somnos, the Dreaming God. If they can make their way past the entertainments at the Masked Ball, they can petition the Dreaming God to fulfill some request on their behalf.

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Three Nights in Portsmouth

FT 2.5: Three Nights in Portsmouth is a series of three short 2nd level adventures written by Daniel J. Bishop. Art is by Matt Morrow (cover),  Kristian Richards (cartography), and Luigi Castellani. The publisher is Purple Duck Games.

Disclosure: I am the author.

This product offers three short adventures that can be sprinkled into, or occur separately from, FT 2: The Portsmouth Mermaid. The adventure came about largely for two reasons. First, I had intended to include a dragon in each installment of the Faerie Tales from Unlit Shores series, and I had failed to include one in FT 2. Secondly, there was a lot more to explore in Portsmouth. If your players are anything like mine, at the very least they will want to rob some graves, and having something planned when they visit the Overlook is a good thing.

The adventure contains three scenarios:

The Open Tomb takes care of the most pressing question a judge might face in Portsmouth - what if the players want to go grave robbing? There are homages herein to Peter Pan, as well as the potential to run into worse things. The name "Grimperrault" is a combination from the Brothers Grimm and Charles Perrault.

The Trail of the Rat is my own take on The Pied Piper of Hamlin, with ghouls and a little added nastiness in terms of a choice the PCs must make. No one makes it out of this adventure without making some form of alliance, and some form of enemy.

Blood for Cthulhu! makes use of several fairy tales themes and creatures while crossing the salt marsh, but ends with a scene straight from The Call of Cthulhu. Depending upon how successful the PCs are at preventing the titular sacrifices, the final encounter may be easy...or close to impossible. For added tension, make that PC whose player couldn't make it tonight one of the potential victims....!

If you are not using Portsmouth, these scenarios can easily be adapted to any urban environment.

You can read an Endzeitgeist review here.

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Theater of the Hammed

Theater of the Hammed is a 3rd to 4th level adventure written by Clint Bohaty. Art is by Jack Kotz. The publisher is Order of the Quill.

Other adventures may take their place upon the gilded stage, but Theater of the Hammed was the first one written for Dungeon Crawl Classics. It makes use of its setting both in requiring the PCs to collect scattered pages to understand how best to proceed, but also in that the PCs themselves may fall under the potent illusions of the theater, potentially fall deeper under its curse – bolstering both their own strength and their enemies. 

The adventure uses a Misbelief Rating to keep track of how far from reality the PCs fall, which can aid both them and their enemies. If they fall too far out of touch with the real world, they are very likely to never emerge (living) into that world again!

Linked to this, and to the ideas of theater and illusion, the adventure plays upon the idea that each character has some form of True Love. The intersection of love, illusion, and fairy tale offer plenty of opportunity for role-playing. Players can keep track of their descent into illusion by using Melodalia's Medallion of Misbelief, which is a physical object that either the judge will have to make ahead of time, or buy from online. You can play the adventure without using these props, but using them is part of the fun.

Content-wise, Theater of the Hammed would make a fine addition to a campaign based on the Faerie Tales From Unlit Shores series. "The Boy in the Golden Pantaloons", the play which sets off the events in the module, may in some ways be liked to Robert W. Chambers' "The King in Yellow", as a play that is existentially dangerous to those who come into contact with it. I would recommend setting up the adventure by alluding to the story earlier in the campaign - even within a funnel, if a PC has an appropriate occupation - so that the players have a frisson of recognition when you run this. As long as you don't go into any details about the story, the adventure will not be damaged.

The adventure was discussed on Episode 55 of the Spellburn podcast. It was also discussed on the Sanctum Secorum podcase on several occasions. As of this writing, there are no reviews on DriveThru RPG, and only one four-star rating, which is rather a shame. That does mean, however, that you can run an adventure that your players are unlikely to have experienced before.

"The people of Minstrel need your help! A divine ritual meant to heal our sleepless king has gone abominably, giving birth to blood-thirsty creatures from the pages of fable! Now we are trapped between both the Western raiders which rule our port, and the nightmarish demons which hold our once great amphitheater. Scattered within the theater are the cursed fable’s pages, which we need to complete the ritual! Where could such a group of adventurers be found, who would dare face creatures and beasts so vile as to even hurl the imaginative minds of a theater audience into abject terror!"

Theater of the Hammed is written to be played by five to seven 3rd-level characters, or four to six 4th-level characters, in approximately six hours of playtime. Because of the dangerous encounters waiting within the amphitheater, it is recommended that the party have both a warrior and dwarf class. Over the course of the adventure, PCs will collect the scattered pages of an enchanted bedtime tale to decipher the weaknesses of their fabled opponents. While exploring the theater, characters will potentially fall deeper under its curse – bolstering both their own strength and their enemies. A new mechanic called the Misbelief Rating (MR) is used to track the players fall from reality. If players fail to manage their MR with vigilance, the adventure may become too much, as the blood-thirsty illusions lurking within complete their passage from the pages of fable into the planes of reality!

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The Thing in the Chimney

The Thing in the Chimney is a low-level adventure by Daniel J. Bishop. Art is by Bygrinstow (including cover image) and Daniel J. Bishop (cartography). The publisher is Raven Crowking.

Disclaimer: I am the author and cartographer.

In December of 2012, I decided to create a yuletide adventure and make it available for free. The adventure was, I think, a good one, even though my maps and layout left something to be desired. There were no official DCC Holiday adventures at that time, so this was unique at the time. Bygrinstow graciously offered  to create illustrations,

In 2013, this adventure was reprinted as part of The Perils of the Cinder Claws by Purple Duck Games with new art and cartography. For a brief period, both versions of this adventure were available, but free file hosting services in 2012 were not as stable as they are now, and the link eventually stopped functioning.

At the waning of every year, as the sun grows closer to the horizon, and spends less time in the sky, there comes a time of terrible cold and deep snow to the lands of the north.   The world waits with hushed breath for this, the longest night of the year, to be over.  Soon, the sun will begin to climb higher each day, and the days grow longer.  Although long stretches of cold weather are yet to come, this is the night in which winter’s back is broken.  After tonight, the world turns slowly back to warmth and light.

But that is after tonight.

This version of the adventure is no longer available.

They Served Brandolyn Red

DCC Horror #1: They Served Brandolyn Red is a 0-level funnel adventure written by Stephen Newton. Art is by Doug Kovacs (cover and cartography), Bradley K. McDevitt, and Stefan Poag. The publisher is Goodman Games.

This module is dedicated to Michael T. Frezzo.

This listing describes the full-size release which began the DCC Horror line. For the original, digest-sized release of this adventure, see here. Actually, you are advised to read that entry, because, apart from formatting, this is very much the same product.

You will find an excellent five-star Endzeitgeist review here (based off the original version).

The village of Portnelle is once again bright and festive. After years of feuding, the town’s most prominent and influential families will finally be making peace as the youngest generations are joined in marriage. However, when an evil born of dark secrets refuses to stay buried, blood will flow like wine at the reception.

This wedding is one your fellow villagers will talk about for generations!

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They Served Brandolyn Red

The DCC 2015 Halloween Module: They Served Brandolyn Red is a 0-level funnel adventure written by Stephen Newton. Art is by Doug Kovacs (cover and cartography), Bradley K. McDevitt, and Stefan Poag. The publisher is Goodman Games.

This module is dedicated to Michael T. Frezzo.

This listing describes the original, digest-sized release of this adventure. Originally released as the first Halloween DCC adventure from Goodman Games, it went on to become the inaugural offering in the DCC Horror line.

It has been said that good adventures start with good stories, and I take that to mean the story that seeded the adventure rather than the story that the PCs will follow. Horror adventures often make strong use of this, as horror tends to be about uncovering the sins of the past as much as it is about trying to defeat the fears of the present. They Served Brandolyn Red does this very well.

The other major component of horror adventures is the Terrible Thing That Can Happen To You. Funnel adventures have a lot of death, but the Terrible Thing usually has to do with survival. As a result, most horror adventures focus either on one of these components or the other. It is easier to link characters to backstory in funnels, and easier to include Terrible Things once a character has reached level 1. There are a few adventures which do both of these things extremely well, but they are rare.

In the case of They Served Brandolyn Red, the author leans into the backstory. The adventure utilizes family trees, tying initial PCs into the adventure's background. It begins with a wedding, and as marriages are critical to the backstory, this gives a nice thematic tie-in. The story also ties directly into DCC Horror #4: The Corpse That Love Built. These two adventures are very much in the Gothic Horror genre used by the Hammer Horror films, which would make this adventure usable in Transylvanian Adventures with a few changes.

They Served Brandolyn Red was the featured adventure on the third episode of the Sanctum Secorum podcast. It is also discussed in a few other episodes. It is also mentioned in Episode 59 of the Spellburn podcast. You can find another review here. You can read more about the adventure from the author here.

The village of Portnelle is once again bright and festive. After years of feuding, the town’s most prominent and influential families will finally be making peace as the youngest generations are joined in marriage. However, when an evil born of dark secrets refuses to stay buried, blood will flow like wine at the reception.

This wedding is one your fellow villagers will talk about for generations!

The original version of this adventure is no longer available, although the DCC Horror version is.

They All Burn Down Here

They All Burn Down Here is a 0-level funnel adventure by KJ O'Brien. Art is by KJ O'Brien. No publisher is listed. The OSR blog, The Lair, is credited for inspiring the Cinder Hag and Fenghors.

This is a "One-Sheet Crawl" made available in a pdf file that could be printed double-sided on a single sheet of letter-sized paper or side-by-side on a sheet of ledger paper. There is also a player handout which would require another page to print.

One of the amazing things about Dungeon Crawl Classics is the amount of fan material that exists. DCC authors - those who also publish, go on to publish, and never otherwise publish - are incredibly generous with the community.

This adventure was written to accommodate a smaller group, and would be wholly appropriate in a Shudder Mountains campaign. There is a nice use of curse totems, and encounters do a good job of being thematically tied together. The adventure is likely to be a bit linear, but for a well-written free adventure written to be printed on a single sheet of paper, that is a pretty small complaint. 

This is the first time I have not included a cover or first-page image in these listings. In this case, the first page is the adventure map, and that would be inappropriate to post. You can find a more detailed review of this adventure here, 

Malevolent things have started happening around the small hamlet of Hogsfoot. A fortnight ago multiple children started reporting identical nightmares about an ash-covered figure hovering over their sleeping bodies. Last night an entire herd of sheep and a prized wooly ram were found mangled and set ablaze in the Clark family's pasture. You join the local posse of concerned villagers in tracking the still-smoldering trail into the northern bogs.

Unfortunately, it seems as though the original document for They All Burn Down Here seems to have been withdrawn. If there is a legal way to download this adventure now, I do not know of it.

Them's Monsters!

Them's Monsters! is a collection of monsters written and Illustrated by Joshua LH Burnett. The publisher is JLHB Polytechnic.

Disclosure: I backed the successful Kickstarter for this project.

Dungeon Crawl Classics has a vibrant, creative community and a fantastic zine scene chock full of home-brewed content. DCC monsters don't play by the rules, and there is a lot of encouragement to create your own creatures - but there is also a wealth of shared creature content in the DCC community. Sampling the creative output of others can not only spur your own creativity, but it can give you options that you might not have thought of yourself. Also, of course, sometimes it just prevents you from reinventing the wheel.

While Them's Monsters! is largely a collection of critters, it also contains a two-page Moonblossom and Chance comic (itself containing statistics for Slugboys and Syklopsnik the Monster Boss) and Grist for the Mill, a 0-level funnel adventure which both uses the creature material herein and includes additional monsters for the harried judge. At only two pages (including map), the adventure is sparse on details, so the judge may wish to give this some consideration before using it.

The old abandoned windmill just north of Boggart’s Hollow is rumored to be the haunt of ghosts, witches, and demons. Over the years, dozens of villagers have disappeared after wandering too close to the old mill, but that’s just the way of things. People go missing, monsters eat villagers, and life goes on. But today, things have changed.

Tonight, the village shepherdess, Molly Brubaker, came running into town in a panic. While Molly was out tending to her flock, some great shambling ogre-like beast came stalking from the shadows of the windmill and snatched away Lucibelle the Educated Sheep. Lucibelle is the pride and joy of Boggart’s Hollow–a symbol of luck and fortune. Her theft certainly spells doom

for the entire village. A rescue party of desperate townsfolk has been quickly assembled!

The creature also took her shepherd’s crook after she dropped it and fled. The crook is a family heirloom dating back 5 generations. She will happily reward it to whoever rescues Lucibelle.

The class included herein is the Dungle, a humanoid dung beetle. This is a fully developed class, taking up three pages for the class and one for general description. A 0-level occupation table is provided! This is a viable class, which might also be used in an Umerica or Mutant Crawl Classics game to good effect.

Scholars believe that dungles evolved from the dire dung beetles that haunt the Glowing Desert far to the south of Xöthma-Ghül. In time, they moved into the great necropolis upon which the Crepuscular City would eventually be built. Forming loose tribes within the mighty dungeon, dungles functioned as scavengers and often served as minions of more powerful monsters. When Imperious Perfectus conquered the necropolis and built his city atop it, he offered the dungles an opportunity to live and work within the city.

(From this it is easy to see that the lore in Them's Monsters! ties into Crepuscular #1.)

The creatures herein largely are mid-range to more potent. They include: the Carrion Knight, the Chaos Ooze, the Cleric Lick Monster, the Crovoborge, the Cybersnail, the Eyeless Dead, Humbaba, the Iron Medusa, the Millennium Tortoise, the Muldasynkovi, the Pumpkin Knight, Raw Head, the Sanity Assassin, the Sludge Dwarf, the Sludge Golem, the Terrible Infant, the Void-Belly Giant, and the Weremoose. 

I did not see an OGL page, and there is no indication of Open Content or usage rights, which is the only thing marring this collection. This shouldn't matter for a home game, but remember that you have to ask for permission, or redo stats, description, and lore if you want to publish.

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